The “Shawshank Trail”: A Cross Disciplinary Study in Film Induced Tourism and Fan Culture

Richard Roberson; Maura Grady

doi:10.6092/issn.2036-5195/4953

Autori

Richard Roberson Ashland University

Dr. Roberson is an Assistant Professor of Hospitality Management at Ashland University in Ohio. He holds a PhD from Purdue University in Hospitality and Tourism Management. His scholarly work includes Film Induced Tourism, Pop Culture, Accreditation and Food Safety. He has published on hospitality accreditation and food safety.
Maura Grady Ashland University

Dr. Maura Grady is an Assistant Professor of English at Ashland University in Ohio. She holds a PhD from University of California at Davis in English with emphases in Film Studies and Gender Studies. Her scholarly work includes Film and Television Studies, Fan Culture, Gender Studies, and Popular Culture Studies. She has published articles on literary fan fiction and new media fandom, and film and television history.

DOI:

https://doi.org/10.6092/issn.2036-5195/4953

Parole chiave:

Cineturismo, Fan Studies

Abstract

Il turismo, come mezzo sostenibile di sviluppo economico, suscita notevole interesse in quei territori che cercano di sfruttare al meglio le loro possibilità di sviluppo. Il Film-induced tourism ha visto una crescita apprezzabile e rappresenta una notevole opportunità per molte comunità di utilizzare nelle pellicole cinematografiche o nei film per la televisione delle location per attirare flussi di visitatori. Queste opportunità permettono agli organizzatori di eventi di comprendere meglio i bisogni e i desideri dei loro partecipanti e prepararsi al meglio per soddisfarli. Questo articolo riporta un’analisi effettuata sui partecipanti ad un evento che celebra il 20° anniversario delle riprese del popolare film americano "Le ali della libertà" e ne analizza le caratteristiche, i risultati desiderati e i fattori motivanti.

Riferimenti bibliografici

ALDERMAN D. (2012). Transforming Mount Airy into Mayberry: Film induced Tourism as Place-Making. Southeastern Geographer, 52 (2), pp. 212-239.

ARCHIVE OF OUR OWN FAQ. (n.d.). Retrieved August 17, 2014, from Archive of Our Own: http://archiveofourown.org/

BAYM N. (1998). Talking about soaps: Communication practices in a computer mediated fan culture. In C. Harris, & A. Alexander, Theorizing Fandom: Fans, Subculture an Identity.New York: Hampton Press.

BEETON S. (2005). Film induced tourism. Clevendon: Channel View Publications.

BEETON S. (2005). Film induced Tourism (Aspects of Tourism). Tonowanda: Multilingual Matters.

BEETON S. (2010). The advance of film tourism. Tourism and Hospitality Planning &Development, 7 (1), pp. 1-6.

BOLAN P., BOY S., & BELL J. (2012). "Weve seen it in the Movies Let's See if It's True": Authenticity and Displacement in Film-Induced Tourism. Worldwide Hospitlaity and Tourism Themes, 1 (2).

BRODIE I. (2003). The Lord of the Rings Location Guidebook. NY: Harper Collins.

BUSBY G., & KLUG J. (2001). Movie-induced tourism: the challenge of measurement and other issues. Journal of Vacation Marketing, pp. 316-332.

BUSBY G., & O'NEILL K. (2006). Cephallonia and Captain Corelli's Mandolin: the influence of literature and film on British visitors. Acta Turistica, 18 (1), pp. 30-51.

CHAN B. (2007). Film induced tourism in Asia; a case study of Korean TV drama and female viewers' motivations to visit Korea. Tourism, Culture and Communication, 7 (3), pp. 207-224.

CONNELL J. (2012). Film Tourism- Evolution, progress and prospects. Tourism Management, pp. 1007-1029.

CONNELL J., & MEYER D. (2009). Balmory Revisted:an evaluation of the screen tourism destination-tourist nexus. Tourism Management, 30 (2), pp. 194-207.

COULDRY N. (2005). On the actual street. In D. Crouch, R. Jackson, & F. Thompson, The media and the tourist imagination. Converging Cultures (pp. 63-76). London: Routledge.

COULDRY N. (2000). The place of media power: pilgrims and witnesses of the media age. London: Comedia 1st Rutledge.

COULDRY N., LIVINGSTON S., & MARKHAM T. (2007). Media Consumption and Public Engagement: Beyond the Presumption of Attention. London: Palgrave Macmillan.

ECO U. (1986). Travels in Hyper Reality. Orlando: Harcourt Brace and Company.

FILM TOURISM FAST FACTS NEW ZEALAND. (2013, April 10). Retrieved July 15, 2013, from Tourismnewzealand.com: http://www.tourismnewzealand.com/sector-marketing/film-tourism/fast-facts/

FROST W. (2009). From Backlot to Runaway Production: Exploring Location and Authenticity in Film-induced Tourism. Tourism Review International, 13 (2), pp. 85-92.

GRENIER A. (2011). Film tourism: from concept to the fan in the heart of the experience. Téreos, Revue de Reserche en tourisme, 30 (1), pp. 79-89.

GRIHAULT N. (2003). Film tourism - the global picture. Travel & Tourism Analyst (5), pp. 1-22.

HILLS M. (2002). Fan Cultures. London U.K. and New York N.Y.: Routledge.

HUDSON S., & RITCHIE J. R. (2006). Film tourism and destination marketing: The case of Captain Corelli's Mandolin. Journal of Vacaation Marketing, 12 (3), pp. 256-268.

JENKINS H. (n.d.). henryjenkins.org/aboutmehtml. Retrieved August 9, 2014, from henryjenkins.org: http://henryjenkins.org/aboutmehtml

JENKINS H. (2012). Textual Poachers:Television Fans and Participatory Culture (2nd ed.). New York, NY: Routledge.

KARPOVICH A. (2010). Theoretical approaches to film-motivated tourism. Tourism and HospitalityPlanning & Development, 7 (1), pp. 7-20.

KIM S. (2012). Audience involvement in film and tourism experiences: emotional places, emotional experiences. Tourism Management, 33, pp. 387-396.

LEE S., SCOTT D., & KIM H. (2008). Celebrity fan involvement and destination perception. Annals of Tourism Research, pp. 809-832.

LEE T., & YOO J. (2011). A study on flow experience structures: enhancement or death, prospects for the Korean wave. Journal of Travel and Tourism Marketing, 28 (4), pp. 423-431.

LUNDBERG C., & LEXHAGEN M. (2012). Bitten by the Twilight Saga: From Pop Culture Consumer to Pop Culture Tourist. In R. Sharpley, & P. R. Stone, The Contemporaty Tourist Expereince: Concepts and Consequences. Abingdon: Routledge.

LUNDBERG C., & LEXHAGEN M. (2013, March). Pop Culture Tourism: a Research Model. Retrieved July 15, 2013, from Inter-Disciplinary Research: http://www.inter-disciplinary.net/research/wp-content/uploads/2013/03/Lundberg-Fandom.pdf

MACIONIS N. (2004). Understanding the film induced tourist. In W. Frost, W. Croy, & S. Beeton (Ed.), Proceedings of the international tourism and media conference (pp. 86-97). Mebourne, Australia: Tourism Research Unit, Monash University.

MAZIERSKA E., & WALTON J. (2006). Tourism and the moving image. Tourist Studies, 6 (1), pp. 5-11.

MIKHAYLOVA L. (2012). Star Trek (2009) and the Russian ST Fandom: Too Many Batteries Included. In L. Murphy, P., Pritchard, M., & Smith, B. (2000). The Destination Product and Its impact on Traveler Preceptions. Tourism Management, 21, pp. 43-52.

PETERES M., SHUCKERT M., CHON K., & SCHATZMANN C. (2011). Empire and Romance: movie induced tourism and the case of the Sissi movies. Tourism Recreation Research, 36 (2), pp. 169-180.

PRITCHARD A., & MORGAN N. (2013). Hopeful tourism: a transformational perspective. In Y. Reisinger, Transformational tourism: tourist perspectives (p. 2013). Boston, MA: CABI.

REWTRAKUNPHAIBOON W. (2009). Film induced Tourism: Inventing a vacation to a location. BU Academic Review, 8(1), pp. 33-42.

ROESCH S. (2009). The experiences of film location tourists. Clevendon: Channel View Publications.

RYAN C., YANNING Z., HUIMIN G., & SONG L. (2009). Grand view Gardens, Bejing: tourism, a classic novel, and television: the case of Cao Xueqin's dream of the red mansions and Grandview gardens, Beijing. Journal of Travel Research, 48 (1), pp. 14-28.

SANDVOSS C. (2005). Fans: The Mirror of Consumption. Cambridge, U.K.: Polity Press.

SHIEL M. (2001). Cinema and the city in history and theory. In M. Shiel, & T. Fitzmaurice, Cinema and thecity: Film and urban socities in an urban context (pp. 1-18). Oxford: Blackwell.

TETLEY S. (1997). Visitor attitudes to authenticity at literary and television related destinations,. WHATT, Worldwide Hospitality and Tourism Trends. HCIMA.

URRY J., & LARSEN J. (2011). The Tourist Gaze 3.0. London: Sage.

WILKINS H. (2011). Why and what we buy. Journal of Travel Research, 50 (3), pp. 239-247.

YOCKEY M. (2013). Monster mashups: at home with Famous Monsters of Filmland. Journal of FandomStudies, 1 (1), pp. 65-86.

YOST K.A., (1994). “Academia Explores the Final Frontier: A look at fandom theses and dissertations.” Focus on Fandom: Strange New Worlds, 14.

ZUBERNIS L., & LARSEN K. (2012). Fan Culture: Theory/Practice. Newcastle Upon Tyne: U.K. Cambridge Scholars Publishing.

ZUBERNIS L., & LARSEN K. (2012). Fandom at the Crossroads: Celebration, Shame an Fan/Producer Relationships. Newcastle Upon Tyne, U.K.Cambridge Scholars Publishing.

The “Shawshank Trail”: A Cross Disciplinary Study in Film Induced Tourism and Fan Culture

Autori

DOI:

Parole chiave:

Abstract

Riferimenti bibliografici

Downloads

Pubblicato

Come citare

Fascicolo

Sezione

Licenza

Lingua

Informazioni

Ultimo numero